NEWS!

Gary's Books Available on Amazon

Gary's done-in-one comic books are now available on Amazon.com! To order Seductions (with Bill Bryan), Adam Among the Gods (with James Lyle) and Gary's 2008 Xeric Grant winner Jazz: Cool Birth, click here.

Full Lineup Announced for Indie Comics Magazine's First Christmas Issue

Knights, college freshmen, comic book geeks, an undying engine of destruction, the world's most famous criminals, jazz singers, killer clowns and more will shock, uplift and entertain in Indie Comics Magazine #4, a special holiday issue, scheduled for preorder in Diamond Comic Distributors' October 2011 Previews catalog and available ONLY through Previews, announced Publisher Gary Scott Beatty.

Starring in this issue are some indie comic heavyweights. Ignatz Award winner Rich Koslowski produced a holiday story with his fan-famous characters, The 3 Geeks. Nationally syndicated Adventures of Aaron cartoonist Aaron Warner introduces A College Girl Named Joe in her freshman year. Mad magazine's Douglas Paszkiewicz makes merry with a quirky Arsenic Lullaby.

64 pages of done-in-one stories is wrapped in a beautiful, painted cover by award winning artist Douglas Klauba. "This indie yuletide issue will make great gifts for the mature readers on your list," said Beatty, "naughty or nice."

The Curls Studio team of writer Joe Carabeo and illustrator Carolyn Belefski present How Roxy and Dean Stole Christmas. Kevin LaPorte and Amanda Rachels' macabre Clown Town characters shuffle in to share the holidays. Anthony Cacioppo explores a tense meeting between Indestructible Man and Saint Nick. Gary Scott Beatty's jazz pianist tells is nephew a Christmas story. Students of the Unusual's Terry Cronin returns with a story of knights and magic.

"We continue to be lucky landing creators with a diverse range of storytelling styles," said Beatty. "This is a real cross section of indy comic book genius! With our done-in-one stories, we help readers cut through the reviews and hype to experience these creators' raw talent."

Short biographies and contact information are included with the stories so readers can easily seek out more of the creators' work, said Beatty.

Beatty explained he always loved the holiday editions of books from the early days of comics, from horror to superhero to funny animal stories. "This time of year is so busy for everyone it's a good idea to kick back and immerse yourself in some holiday magic."

Indie Comics Magazine is 64 pages of the best story and art from today's independent comic book creators. No huge overprint, no digital version, no back issue sales, October's Previews under Aazurn Publishing is the ONLY way comic readers can get Indie Comics Magazine #4, the Christmas issue! Visit Indie Comics Magazine online at Indie Comics Magazine.com.

Comic Buyer's Guide, a national, monthly magazine, featured two of my articles in the #1660 issue, shipping October 2009. Editor Brent Frankenhoff called "Going for the Grant: Xeric Foundation Submission Strategies" an "excellent" submission and offered me participation in CBG's coveted Top 10 Favorite Comic Covers section. I figured they were looking for something different and made sure my cross section of favorite covers included a nice sampling of quality independent comics. I could have easily picked 100 favorite covers from Kirby or Colan!

When you're at Comic-Con International in San Diego July 23-26, 2009, you'll see my coloring, lettering and design work at the 3 Boys Productions (Students of the Unusual) and Viper Comics booths!

Terry and the boys at Students of the Unusual (Booth 1902) put me through the wringer finishing colors and letters for "Prepare for the Worst" and "Love Bug" stories in their Comic-Con Special #1, plus design and layout for other pages! I've colored and lettered for every SOU book gong back five years -- it's worthwhile to pick up back issues of this fun, indie horror book! Gotta love them zombie bikers!

At the Viper booth (1903), the ink should be just dry on The Middleman, a 64 pager I lettered for them with style and grace -- under a crushing deadline! Books like their Battle Smash, Webosaurs, How to Be a Serial Killer (now a motion picture!), Dummy's Guide to Danger and Rabid! are all lettered by me! I never know what Jessie and the gang are going to send me, but I've come to expect awe inspiring artwork and great writing!

When you're at their booths, ask about how Gary Scott Beatty helped them get ready for San Diego. Then, consider me for YOUR next comic book project!

Xeric Winning Author and Illustrator Gary Scott Beatty joined David Peterson (Mouse Guard), Jason Howard (Astounding Wolf-Man) and Ryan Claytor (Elephant Eater Comics) on a comic book creator panel at the Michigan State University Comics Forum March 28, discussing everything from writing to illustration, from creating to marketing to careers. If you missed it, you can hear it, moderated by Jay Jacot (Comics Obscura), plus a couple of other spiffy MSU Comic Forum panels, online at: http://www.comicsforum.msu.edu/?p=216

The upcoming Side B: The Music Lover's Comic Anthology contains a punk rock story by Gary, illustrated in a late '70s, "ransom note" style to match the tale's era. Available in the April 2009 edition of Previews, Diamond Order Code: APR090973. In stores June 3, 2009.

Look for a couple of works from Gary's "Jazz: Cool Birth" in the Eastern Michigan University Michigan Comics Exhibition, on display now at the University Gallery through June 5 and then to travel throughout this great land. Michigan Comics: Mirth, Mockery, and Mayhem info is online at http://www.emich.edu/fordgallery/

Xeric Winning Author/Illustrator Gary Scott Beatty signed his three graphic short story books at Art Cats Gallery in Lakeside, Muskegon, Michigan. in February. "Jazz: Cool Birth" features art inspired by '50s album cover design, a murder mystery set among the jazz clubs of 1957. Info on the gallery at artcatsgallery.com. Look at the books at aazurn.com.

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ARTIST'S STATEMENT from Gary Scott Beatty's Xeric Grant-winning book Jazz: Cool Birth.

"Yes, this style is MEANT to look old. 50 years old, as a matter of fact.

"Through study of album cover design, television program title artwork, and common illustrations used in everything from health booklets to instruction manuals from the ’50s, I have attempted to pull readers into the late night jazz clubs of 1957, feeling the music through the visuals. Ignoring paint and ink magazine illustration, a left over style from previous decades, I concentrated on the combination of flat and painterly used by artists working with T-squares and triangles, tracing paper, ruling pens and brush, preparing work for rotary letterpresses and similar hands-on intensive printing methods.

"Alex Steinweiss and Jim Flora, wonderful craftsmen working on album covers for Columbia and RCA Victor respectively, obviously had a great influence on Jazz: Cool Birth. Little known illustrator Lou Peters and Disney designer Tom Oreb deserve a mention, as well as the great Mark Rothko and the rest of the abstract expressionists. But the look of Jazz: Cool Birth comes, mostly, from unknown, uncredited artists working in a beat style in a decade where nearly every printed piece contained some kind of drawn graphic.

"Then there’s the typography. Hand drawn, or typeset and carefully kerned and arranged by hand, jazz album type fascinated me from an early age. I have managed to find a font, Hairspray Redhead from Christian Schwartz Design, that approximates the famous Steinweiss Scrawl appearing on so many beautiful ‘50s album covers. My Futura and Bodoni typefaces are passable, but, like typographers predicted with the rise of desktop publishing in the ‘80s, the typefaces don’t have quite the grace and balance of their ’50s counterparts.

"My tools are modern and digital, but the process of pushing things around on the page remains the same as 1957. What I learned from studying craftsmen of 50 years ago is to never let the tools dictate where something lays on a page. The modern computer typesetter’s practice of distorting type rather than adjusting the letter spacing and kerning is lazy, uninformed and unattractive. Typography is a line-by-line art.

"The missing link in this book is, of course, the music. But Monk, Miles, Coltrane, Mingus, Rollins and others are there, in the back, listening, taking mental notes on licks and trends. They don’t need bodyguards and an entourage to slip into clubs. This is 1957, when few musicians made more than enough for expenses, studio time was a cost prohibitive dream and, like Dean says, 'You know musicians, no gravy, no grease.'"

Gary Scott Beatty

ABOUT GARY

Xeric Grant Recipient Gary Scott Beatty read his first comic book, a beat up old Tin Tin hardcover, in his grade school library some time before the '60s Batman craze. The first alternative comic he produced (They were called "underground" then) was on his high school's mimeograph machine, after hours, without permission. Nearly three decades later the tools and format have changed, but Gary is still producing printed pieces that communicate and entertain.

His current Aazurn Publishing projects include Xeric Grant Winner "Jazz: Cool Birth," "The One" with "Adventures of Aaron" artist Aaron Warner, "Seductions" with Oz artist Bill Bryan and "Adam Among the Gods" with James Lyle. Through his Indie Comics Magazine, Gary publishes promising newcomers and veteran independent creators, introducing them to a wider audience through worldwide distribution.

His coloring and lettering for 3 Boys Productions' "Students of the Unusual" has appeared since the popular indy comic's first issue -– now his logo design graces each cover.

The controversial "Wedding of Popeye and Olive" Gary colored for Ocean Comics was discussed on Good Morning America, in "The New York Times," "Time" magazine and "Newsweek."

His work with nationally syndicated cartoonist Aaron Warner included coloring "Adventures of Aaron" Sunday strips, producing the "Sparky and Tim" collection cover and typography and coloring for much of Aaron's advertising studio work.

His cover coloring for Scott Rosema's "August" are now definitive of the character.

His production assistance in Omega7's "America's Forgotten Children" publication helped lead to the recovery of several missing children.

He letters for Viper and for Kaso Comics, has written scripts for Nicky Cruz Outreach and, locally, produces a full color, monthly entertainment magazine. The list here is but a small sampling of the projects he has prepared for print over his 35 year career in printing and publishing.

The publication production expert, typographer, writer, illustrator and comic book colorist's engaging ramblings can be found at Comic Artists Direct.com. His Aazurn Publishing books can be found on Amazon.com.